Sunday, 3 February 2019

Evolving Media: Long Form TV Drama Deutschland 83

OCR Spec

Evolving Media Long form TV Drama: consists of an in-depth study requiring learners to explore television as a media form. This section also gives learners the opportunity to draw together elements from their full course of study, including different areas of the media theoretical framework and media contexts.
As an in-depth study, television must be studied in relation to:
  • all four areas of the media theoretical framework (LIAR including all related theories)
  • all relevant contexts.
In this section, learners will be required to complete a comparative study of two contemporary long form television dramas:
  • one of which must be from the set US long form television drama list below;
AND

  • one of which must be from the set European (non-English language) long form television drama list below.

You will be using the following

  • House of Cards, series One episode 1
  • Deutschland 83, series One episode 1 (available on More 4)

  1. 04/02/2019


Aim: Analyse the media language and historical context of Deutschland 83.

Know: the contextual significance of this period drama.


Do: 

  • analyze the story line synopsis 
  • produce a synopsis
Show: 
  • evidence of knowledge of the cold war era with regards to the context of the drama
  • evidence of analysis 
Tasks
  1. Join Channel4.com and access  Deutschland 83 (Season 1, Episode 1, October 2015) BBFC 15.
  2. watch Deutschland intro video and Deutschland 83 series 1 episode 1
  3. create a blog post entitled "Long Form TV Drama Deutschland 83"
  4. construct a first level analysis of the video identifying significant aspects of the TV drama through editing, sound, mise en scene and camera work
  5. write a synopsis of the film
  6. view the set link to gain a contextual understanding of "The cold" and its historical significance.
Links


  • About the Show
 https://www.channel4.com/programmes/deutschland-83/on-demand/63264-001
  • Episode 1 - Quantum Jump
Taken against his will to the West, East German soldier Martin Rauch has intensive training to become a spy and assumes a new identity as Moritz Stamm, an officer working for a top West German general
https://www.channel4.com/programmes/deutschland-83/on-demand/63264-001
Set against the real events, culture wars and political realities of Germany in the 1980s, this epic drama series is a stylish coming-of-age story, framed within a suspenseful Cold War thriller


Aim: To understand the success (or lack thereof) of 'Deutschland 83' and to appreciate the historical context of Germany in the 1980s.


'Deutschland 83' was originally broadcast on the German channel RTL. But whilst the story of the young East German spy left the German's cold, it has been a hit abroad. Now 'Deutschland 83' is the most successful start of a foreign-language series on British TV. The first episode reached 1.24 million viewers at a record rate. In the following seven days, the number of viewers increased to around 2.5 million. 

A potential reason for its limited success in Germany could be due to the historical context that it draws upon and the representations within the show. Read the following articles to learn more about the context of the show and the representations within it:

The  video below gives a (very) quick overview of the Cold War: TAKE NOTES (task 6)  ON THE EVENTS THAT UNFOLDED AND DISCUSS IN YOUR BLOGGER WHY THE ERA WAS CHOSEN AS A HISTORICAL DRAMA.



As we watch the first episode of 'Deutschland 83' make notes on how the tensions of the Cold War are represented. Think about:

- Stereotypes
- Costume
- Intertextuality


Monday, 17 September 2018

timed analysis examples

Panic! At The Disco - Girls/Girls/Boys


  • 0:00 - 0:05
    • Close up shot from behind of the singer from behind on a black background which pans horizontally in from the left
  • 0:05 - 0:09
    • Close up shot of the singer turning from facing the back to profile shot
  • 0:10 - 0:14
    • Close up shot of the singer turning to face profile to the camera
  • 0:15 - 0:31
    • With occasional direct address, close up shot of the singer singing
  • 0:32 - 0:41
    • Slow zoom out from close up shot to medium close shot of the singer. The singer is inferred to not be wearing any clothes
  • 0:42 - 0:52
    • Slow zoom out from medium-close shot to medium shot of the singer
  • 0:53 - 1:20
    • Medium shot of the singer singing to and around the camera
  • 1:21 - 1:39
    • Slow zoom in from medium shot to close up shot of the singer
  • 1:40 - 1:42
    • Close up shot of the singer with some direct address to the audience
  • 1:43 - 1:51
    • Canera pans down from the singers face in a close up shot to the singer's naval. The singer's tattoo on his left arm is visible and the singer is seen, with clenched fists, shaking his hands
  • 1:52 - 1:54
    • Small slow pan up to higher up the singer's naval
  • 1:55 - 2:02
    • Slow zoom out from naval shot to a medium shot of the singer who has also turned and is now profile to the camera
  • 2:03 - 2:04
    • Medium shot. The singer turns from profile to showing his back.
  • 2:05 - 2:10
    • Medium shot of the singer facing the back singing and being expressive with his hands and arms
  • 2:11 - 2:16
    • Medium shot. The singer turns to face profile again and is singing with expressive hands and arms
  • 2:17 - 2:29
    • Medium shot. The singer is facing slightly off centre and off profile, singing towards the off centred angle of the camera
  • 2:30 - 2:42
    • Slow zoom in from medium shot to close up shot. The camera is shaky during the zoom onto the singer's face
  • 2:43 - 2:48
    • Close up shot of the singer singing with direct address to the audience
  • 2:49 - 2:57
    • Slow zoom out from close up shot to medium shot 
  • 2:58 - 3:14
    • Medium shot of the singer singing with expressive hands and arms and the singer's hair now seems wet
  • 3:15 - 3:21
    • Faster zoom in from medium shot to a close up shot of the singer 
  • 3:22 - 3:28
    • Close up shot of the singer with direct address to the camera. Cut to black.

Wednesday, 20 June 2018

Textual analysis of music video

You are briefed to conduct a textual analysis using Prezi.  This will enable you to attache video links, visuals and text.   Students must ensure that their work is well presented and covers the following areas...
  • About the song
  • Mise en scene
  • Camera work
  • editing
  • sound
  • narratology
  • Media theory (representation)
  • Why is this important (summarise the aspects of your analysis are important to you or important to the creation of a media text).
You will need to combine text and visuals to help underpin learning where the images presented will help to illustrate your analysis of the media text.


Please see below examples from previous years...  These students were on the old spe, as such you are expected to do the analysis differently.    YOU WILL NEED TO ENSURE THAT YOU COVER ALL OF THE ABOVE bullet pointed areas with A MINIMUM  of 2 slides  for the following Micro elements : Mise en scene, Camera work, editing, sound. and a MINIMUM of 1 slide for the remaining areas.   Please be aware that to gain extra marks yo can conduct a more in depth analysis similar to the presentation provided to you by your tutor on Beyonce: formation.



Exemplar 1 Dylan Koolman



Exemplar 2 Ryan Griffiths





Textual analysis of ~Music Video - Teacher example.

Textual analysis of Music Video.

Below you will find an example prepared by your tutor on the Textual analysis of the Music Video formation by Beyonce.  The content introduces a range of theorists used in the evaluation of the representation of Gender and Race.


Friday, 17 March 2017

creating a production log/schedule

This is simply your way of recording the activities undertaken to create you ancillary and primary tasks

Simply add dates and describe the activities undertaken.

Please see below an example from previous students


Production Log - Kieran Panchal 9652 and Joshua Manely 9645

30/11/15 - All location scouting carried out, using location scouting sheets to organise the information and data regarding the location.

3/12/15 - Completed two digipak mock up designs, using audience feedback to gauge preference and improvements.

9/12/15 - In this lesson we began to create our storyboard which allowed us to begin to gain a better understanding and visualisation on what and when will include things in our music video. Here we stated he intended time duration of the clip as well as the shot type with any camera movement and what the shot is of.

10/12/15 - Completed a Call sheet, allowing us to have a precise structure on shoot days, ensuring maximum organisation and productivity.

13/12/15 - Carried out test shoots with actor, experimenting with shot types, camera movement and slow motion.

 14/12/15 - We then edited the clips together to get an idea of what type of colour grading to use as well as what rate of slow motion looks best. We preferred a blue colour scheme to gain a cold gritty mood and we also found that the slow motion in 50 frames per second looked most effective.

14/12/15 - We also adapted the soundtrack of our product due to the fact that the original is 9 minutes long. Here we cut out certain repeated sections in Logic Pro X and applied fades in order to make it seamless.

15/12/15 - Visited the location and primed the location by general tidying and preparation. Carried out a second test shoot where we set up the set with our purchased props. We experimented with depth of field and potential shots which we could use in regards to the actor and also different aspects of the camp.

16/12/15 - Created a site plan in order to aid logistics and practicalities of shooting on the day.

17/12/15 - Our talent Hayden Miller signed our talent release document which agrees to all of the conditions of the shoot and is willing to participate as a talent on all of our planned shoot days.

21/12/15 - Carried out shoot one and completed the first half of the narrative based content

23/12/15 - Carried out shoot two to finish the filming of the narrative content.

2/1/16 - Created a range of poster/advertisements for the production.

8/1/16 - Carried out third shoot to begin to filming of the performance aspect of the video.

9/1/16 - Began working on the first edit, using the Premiere Pro software. This was done after reviewing the footage and making decisions on which shots to include in our edit and which shots were less successful.

12/1/16 - Edited a short 'teaser trailer' highlighting some of the stand out moments from the shooting so far. This was distributed via the Facebook page to create some interest and excitement around our production.

17/1/16 - Continued working on the first edit in order to form a rough cut.

18/1/16 - Completed a rough cut in order to gain feedback for the final edit.

19/1/16 - Carried out a focus group in order to gauge feedback on our product. This critical process would aid us in editing the final cut in line with the wants of the audience.

25/1/16 - Using the rough cut as a template, we commenced with editing the final cut of the music video using Premiere Pro.

30/2/16 - Commenced with editing using Premiere Pro, ensuring to consider audience feedback and referring back to our plans/keeping our overall goal in mind.

7/2/16 - Commenced with editing using Premiere Pro, ensuring to consider audience feedback and referring back to our plans/keeping our overall goal in mind.

15/2/16 - Commenced with editing using Premiere Pro, ensuring to consider audience feedback and referring back to our plans/keeping our overall goal in mind.

16/2/16 - Commenced with editing using Premiere Pro, ensuring to consider audience feedback and referring back to our plans/keeping our overall goal in mind.

22/2/16 - Commenced with editing using Premiere Pro, ensuring to consider audience feedback and referring back to our plans/keeping our overall goal in mind.

22/2/16 - Organised a screening to the class, where the audience could give us any final feedback before finalising the cut.

1/03/16 - Selected a range of final images and fonts that could be used in the production of ancillary tasks.

10/03/16 - Selected the main images to be used. Began to edit these images for the use, using Adobe Photoshop to create different tones and  styles to give the images different meanings as a background for the advert.

17/03/16 - Designed text using the previously selected fonts, and placed this on the adverts using Adobe inDesign to aid in the layout accuracy. - The adverts were completed later during this session.

30/03/16 - Began working on the album digipak, using the previously selected images and the same fonts used within the advert production to ensure continuity. During this session, the images were edited and placed within the Digipak template.

1/04/16 - The digipak design was completed, with the appropriate text placed accordingly using Adobe inDesign

5/04/16 - Created a booklet using Adobe Photoshop that could be found in the digipak, using various images from the shoot and previously used fonts to ensure continuity.

18/04/16 - Created an online poll asking our target audience the preferences of the group's ancillary tasks, using an online poll platform.

18/04/16 - Collated the results (qualitative and quantitative feedback) from the poll and found that my designs were preferred.